Wednesday, 31 January 2018

Cabbage, new album and tour dates.

For all you Cabbage heads out there, here's the latest on what they're up to. From a few listens I can safely say their debut is going to be big!




‘Nihilistic Glamour Shots’ is the debut album from Cabbage, to be released 30th March 2018 on Infectious Music. Listen to the new single ‘Arms Of Pleonexia’, premiered last night on Radio 1 by Huw Stephens, here

Produced by James Skelly and Rich Turvey (Blossoms, The Coral, She Drew The Gun) at Parr Street Studios in Liverpool,
‘Nihilistic Glamour Shots’ is an album that confirms Cabbage as one of the most nuanced bands in years. Equally drawn to socialist politics and mucking about, they’re devotees of both big choruses and anarchic totems like GG Allin, Genesis P Orridge and Butthole Surfers. It’s a mixture writ large throughout ‘Nihilistic Glamour Shots’, from the frenetic opening salvo of ‘Preach To The Converted’, ‘Arms Of Pleonexia’ and ‘Molotov Alcopop’, via ‘Perdurabo’s swampy blues and wild funk of ‘Exhibit A’ to the devastating seven-minute finale ‘Subhuman 2.0’. It’s hard to think of another band who could write a magnificently infectious two-minute frantic anthem and then call it ‘Obligatory Castration’. Only two album tracks have been heard before, the BBC6 Music playlisted singles ‘Celebration Of A Disease’ and ‘Gibraltar Ape’. Indeed, the savagely brilliant ‘Postmodernist Caligula’ was written and recorded in a matter of days at the end of the album recording sessions.
There’s been a weight of fevered expectation around a full Cabbage album ever since their startling debut EP ‘Le Chou’ arrived at the start of 2016. Since then, the Manchester band have released 36 songs, played well over 200 gigs – and been at the centre of two media storms. Faced with a band as uncompromising as Cabbage, it’s disturbing if unsurprising that untruths have clouded the positivity of their intent. The reality is that Cabbage are a band to believe in, and ‘Nihilistic Glamour Shots’ is the most thrilling way imaginable to convey their message.

While it broadens Cabbage’s sound further still from their already eclectic previous five EPs, ‘Nihilistic Glamour Shots’ also does a superb job of capturing the raw energy of their freewheeling live shows. The band have kept the gigs fresh partly by theming each tour, with autumn’s Healing Brexit Towns Experiment living up to its name.

Cabbage formed in Mossley, a small town on the edge of the Pennines nine miles East of Manchester, in November 2015. Co-vocalist Lee Broadbent and Eoghan Clifford (guitar) had been drummers in their previous bands, while Joe Martin (co-vocalist) was a promising performance poet. Hilariously twisted live staple ‘Dinner Lady’ from ‘Le Chou’ was initially one of Joe’s poems. Bassist Steve Evans had the most experience, having been in several bands before adding his beatific calm and fluid playing to Cabbage. Drummer Asa Morley was the last to join, recruited in early 2016.  While he’s so far the only non-songwriter in Cabbage, the laidback drummer isn’t to be under-estimated: check the power of his playing on the menacing ‘Reptiles State Funeral’.

Although they released a double-vinyl compilation of their first three EPs (the brilliantly titled ‘Young, Dumb And Full Of… Cabbage’) for Record Store Day 2017, ‘Nihilistic Glamour Shots’ is definitely Cabbage’s debut album proper. And, whatever else happens, ‘Nihilistic Glamour Shots’ will have people talking about Cabbage for the right reasons. It’s as idealistic as music gets.

Cabbage head out on tour later this month, supported by The Rhythm Method, and will embark on more dates in April following the release of the album with support from She Drew The Gun. On May 19th, the band will curate ‘Glamour At Thee Ritz’ at Manchester’s O2 Ritz. Starting at 5pm and headlined by Cabbage, the event across 2 rooms at The Ritz will feature PINS, The Blinders, Rhythm Method, Witch Fever, Lady Bird, Sports Team + more to be announced over the coming weeks.
Cabbage ‘Nihilistic Glamour Shots’:
1.     Preach To The Converted
2.     Arms Of Pleonexia
3.     Molotov Alcopop
4.     Disinfect Us
5.     Postmodernist Caligula
6.     Exhibit A
7.     Celebration Of A Disease
8.     Perdurabo
9.     Gibraltar Ape
10.   Obligatory Castration
11.   Reptiles State Funeral
12.   Subhuman 2.0

Jan 31    Hull The Welly Club *
Feb 1      Nottingham The Bodega * - SOLD OUT
Feb 2      Stoke-on-Trent The Sugarmill *
Feb 3      Sheffield Plug **
Feb 7      Southampton The Loft *
Feb 9      Bristol Fiddlers * 
Feb 10   Leeds Brudenell Social Club **
Feb 14   Newcastle Riverside - * VENUE UPGRADE
Feb 15   Glasgow King Tut’s Wah Wah Hut **
Feb 16   Liverpool The Magnet *
Feb 17   Birmingham Castle & Falcon **
Main support on all dates: The Rhythm Method
Second support: * Real Life Entertainment, ** Slow Knife

April 4     Aberdeen, The Tunnels
April 5     Edinburgh, The Mash House
April 6     Kendal, Brewery Art Centre
April 7     Middlesbrough, Westgarth Social Club
April 11 York, The Crescent Community Venue
April 12  Leicester, Dryden Street Social
April 13  Norwich, Norwich Arts Centre
April 14  Coventry, Empire
April 18  Oxford O2 Academy 2
April 19 Cardiff, Clwb Ifor Bach       
April 20  Brighton, Patterns
April 21  Portsmouth, Wedgewood Rooms
Main support on all April dates(except 21st): She Drew The Gun

May 19   Manchester O2 Ritz, Cabbage Present… Glamour At Thee Ritz
Also featuring PINS, The Blinders, Rhythm Method, Witch Fever, Lady Bird, Sports Team + more to be announced

Tickets for all gigs

Monday, 29 January 2018

Daniel Clarke - Debut single review.

Alright there folks! First review of the year and many more to come. Keep checking in!

Daniel Clarke – Trampin’ Stampin’ – German Shepard Records – DL – Released 9th February.

For anyone into the open mic scene in Manchester you will have come across Daniel in a plethora of venues across the city including the Boat Sessions in Castlefield. He also played in cult local bands The Moods and Death To The Strange who both played at The Ritz together a few years back. This is his debut solo single and a great start to his new venture. It’s a weird little song with some strange lyrics (“Marshall Mathers at the end of the rainbow” anyone??). The label describes this song as capturing the spirit of Tom Waits which hits the mark but I can hear classic Johnny Bramwell thrown in with a frenetic strumming style which would sound great with a full band live. His lyrics are amusing and fractured in that mad Manc sense which could only come from a Openshaw lad and the song is one of those earworms which won’t go away after a few listens. Stephen Doyle from Salford City Radio already has it on his playlist which will surely see more DJ’s picking up on it. Check it for yourself below (acoustic version).